“No star-struck lover or dark mistress inhabits these lively sonnets but a flesh-and-blood, poker-playing Texan with a cell phone, an agent, an anxious mother, and a load of her own worries as she tries to make it in the music business. From the Star Spangled Banner at a racetrack to the warm-up for B. B. King, Spotlit Girl is a nimble character study that captures both the craziness of a performer’s life and the time-stopping intimacy between a vocalist and her audience. The singer’s in the spotlight, and Kevin Oberlin has the focus and the dazzle to make her shine.”—Don Bogen

Perhaps the most easily recognized military helmet of the 20th century is the German Stahlhel. In the revised and expanded edition of this classic, Floyd R. Tubbs and Robert w. Clawson identify and classify the Stahlhelm and relate its history, designs, features, and uses. As the only book on the German combat helmet currently in print, this edition, with its detailed drawings and illustrative photographs, will appeal to the collector as well as the military historian.

Selected from the LTV Steel Collection donated to the Western Reserve Historical Society in Cleveland, Ohio, after LTV’s bankruptcy in 2000, photographs were chosen for their artistic quality, their importance in explaining industrial processes, and for their human interest. In preserving historical images from independent companies later purchased or taken over by LTV, the collection also provides a striking visual genealogy for LTV Steel. Photographers and those interested in the history of the steel industry will find this book an invaluable addition to their collections.

Jenkins argues that the Klan drew from all social strata in Youngstown, Ohio, in the 1920s, contrary to previous theories that predominately lower middle-class WASPs joined the Klan because of economic competition with immigrants. Threatened by immigrant movement into their neighborhoods, these members supposedly represented a fringe element with few accomplishments and little hope of advancement. Jenkins suggests instead that members admired the Klan commitment to a conservative protestant moral code.

Stephen R. Donaldson’s Chronicles of Thomas Covenant examines Donaldson’s first three novels in an attempt to define their place in the fantasy canon. The book begins with an extensive introduction to the fantasy genre in which W.A. Senior eloquently defends fantasy against charges of being mere escapism, or simply juvenile, and not warranting serious critical considerations.

“These ‘stone’ poems by Karen Craigo are reminiscent of W. S. Merwin’s deep image poems or Vasko Popa’s surrealist ‘pebble’ poems. But Craigo does Merwin and Popa one better. She manages to create and sustain a complex and shifting personal mythos without sacrificing the mystery and evocative force of the focusing image. Popa’s ‘pebbles’ chanted a mean, gutteral, one-syllable song, but Craigo’s ‘stones’ belt out whole operas. A brilliant debut.”—George Looney

Stories of Illness and Healing is the first collection to place the voices of women experiencing illness alongside analytical writing from prominent scholars in the field of narrative medicine. The collection includes a variety of women’s illness narratives—poetry, essays, short fiction, short drama, analyses, and transcribed oral testimonies—as well as traditional analytic essays about themes and issues raised by the narratives. Stories of Illness and Healing bridges the artificial divide between women’s lives and scholarship in gender, health, and medicine.

Written at the behest of his former comrades in the 105th Ohio, The Story of a Thousand draws on Tourgée’s own wartime papers, as well as diaries, letters, and recollections of other veterans, to detail the remarkable story of the regiment during its campaigns in Tennessee, Kentucky, Georgia, and Sherman’s March to the Sea. Tourgée concentrates on the lives and experiences of the enlisted soldiers, describing the backgrounds of the men and how they rallied around the Union flag as citizen soldiers and also on discussions about the role of slavery as the impetus of the war. Tourgée’s concern for the common soldier prefigures the scholarship of twentieth-century historians, such as Bell Irvin Wiley, who devoted attention to the men in the ranks rather than the generals and politicians in charge.

The Story of My Life, originally published in Czechoslovakia in 1928, is the engaging and informative autobiography of Frank Vlchek, a Czech immigrant who became a successful businessman in Cleveland, Ohio, during the late nineteenth and early twentieth centuries. Vlchek’s memoir provides a rare primary source about Czech immigrants. It also offers insight into a self-made man’s life philosophy, illustrates relations between ethnic groups in Cleveland during the 1880s, and demonstrates the assimilation of a late-nineteenth-century immigrant in America. Readers interested in immigration history as well as the history of Cleveland will enjoy this fascinating autobiography.

“Maureen Passmore’s poetry I can only liken to cut-and-polished jewels: structurally simple, innately priceless, sharp-edged, and brilliant. . . . With the jeweler’s touch, she brings out just enough edge, elegant and lean, to intrigue us before offering the next edge, then the next. What makes her poetry more than just admirable is the genuine vision behind it: she is determined to recreate emotional experience through a vehicle other than herself. . . . In a time of highly decorative and self-serving artistry, here comes a poet with the strength of the ground.” — Larissa Szporluk