In this astounding new archaeological survey, authors Robert York and Gigi York examine the history of Oceania and the Americas to unveil the significant role slings and slingstones played in developing societies. They present new evidence that suggests that unlike David who plucked rounded pebbles from a stream, inhabitants of the Pacific Islands deliberately fashioned sling missiles out of coral, stone, and clay into uniquely deadly shapes. They also show that the use of slings in the Americas was more pervasive and inclined to variability than previously recognized.

Small Comforts quietly probes the mysteries of an ordinary life when reviewed at middle age. Essayist Jeff Hammond, a midcareer academic who examines a variety of lifelong obsessions, frustrates any expectation that life’s fogs dissipate as we age. At stake here is the need for those of us who have reached a “certain age” to look at who we have become with courage, honesty, and humor.

Relying on oral histories, hundreds of rare photographs, and original music reviews, this book explores the countercultural fringes of Kent, Ohio, over four decades. Firsthand reminiscences from musicians, promoters, friends, and fans recount arena shows featuring acts like Pink Floyd, The Clash, and Paul Simon as well as the grungy corners of town where Joe Walsh, Patrick Carney, Chrissie Hynde, and DEVO refined their crafts. From back stages, hotel rooms, and the saloons of Kent, readers will travel back in time to the great rockin’ nights hosted in this small town.

Charles Doolittle Walcott (1850-1927) is a highly respected figure in the history of geology and paleontology. Perhaps his most notable contribution to his field was his discovery of the Middle Cambrian Burgess Shale, one of the most important fossil discoveries ever made. In addition to his distinguished field work, Walcott’s career included years of service as an administrative leader in the scientific community: as director of the U.S. Geological Survey, as secretary of the Smithsonian Institute, as organizer of the National Space and Aeronautics Administration, as a founding member of the National Academy of Sciences.

During the first half of the eighteenth century, Pennsylvania became home to a variety of German-speaking sectarians who rebelled against the oppression of European state-church establishments and migrated to the United States to form their own communions. One such group was the Snow Hill Cloister, which was founded in 1762 as an attempt to continue the monastic, communal lifestyle practiced at Georg Conrad Beissel’s famed Ephrata Cloister. In an engaging narrative that chronicles with humor and insight her research into this fascinating community of German Seventh-Day Baptists, Denise A. Seachrist tells the story of Snow Hill—its spiritual and work life; its music, writings, architecture, and crafts tradition; and its sad demise in the waning days of the twentieth century. A product of in situ fieldwork that explores the places and personalities behind the founding and prosperity and demise of the cloister, Snow Hill is a long-overdue study of one of America’s “experiments” in communal living. It speaks to another time and place and stands as a testament to the idealism of community and the tenaciousness of the human spirit.

Editor Kathleen O’Shea has managed to gather a wide selection of helpful excerpts, chapters, poetry, and even a short play in this anthology—all with a view toward increasing our understanding and ending the stigma attached to migraines and migraine sufferers. Unlike clinical materials, this anthology addresses the feelings and symptoms that the writers have experienced, sometimes daily. These pieces speak freely about the loneliness and helplessness one feels when a migraine comes on. The sufferer faces nausea, pain, sensitivity to light, and having the veracity of all these symptoms doubted by others. O’Shea, a professor of literature and a migraine sufferer herself, also includes an original essay of her own reflections.

“These precise, plain-spoken poems are limned by a subtle music, not to mention a lyric grace that is never overplayed. For in a world as harsh as this one, a world delimited by war, beauty is as appalling as it is necessary. Hugh Martin’s great achievement is to remind us of this necessity, and to assert the power of poetry as witness and as solace.” —James Harms

“Mindi Kirchner possesses an unblinking honesty and wit that is at once enchanting and heartbreaking. Her agile, beautifully crafted poems address the disappointments and sorrows of our uncrafted, ordinary lives and the painful distance between reality and imagination. She celebrates the joy in spite of, not because of, what is. Like a Buddhist she wishes for no other life, no reincarnation. And yet, as her reader, I can’t wait to see more, more lives, or at least many more books, from this talented new voice.”—Nin Andrews

A companion volume to Taken at the Flood, this book identifies areas of research and in-depth source materials for studies of the Maryland campaign.

Sounding the Whale is Christopher Sten’s comprehensive account of his own close encounter with Moby-Dick. Originally a long, self-contained chapter in The Weaver-God, He Weaves: Melville and the Poetics of the Novel, just published by Kent State University Press, this chapter-by-chapter study of Moby-Dick evolved as a book within a book. Sten argues that Melville not only was familiar with the traditional forms of narrative but that he refined them and appropriated them to his own original purposes. For Moby-Dick, he fused the heroic qualities of the ancient Homeric epic with the spiritual qualities of the early modern form found in Dante and Milton, then cast the whole enterprise in an unprecedented poetic prose form. Thus he formulated the first prose epic of its kind, and the only religious epic on the subject of whaling anyone is likely to write.