An anthology celebrating the biodiversity and staggering beauty of Cuyahoga Valley National Park, Light Enters the Grove collects 42 poems, each of which reflects its author’s unique connection to a living organism found within the park—ranging from white-tailed deer to brown bats and from Japanese honeysuckle to bloodroot. Additionally, each poem is paired with an artistic depiction of the poem’s subject that reinforces the rich relationship between artists and the natural world.

“Imagine a love of small towns ringed by mountains, a shrewd ear for lonely folks’ dialogue, and a music that seems to pour out of your own life as you read these poems. Likely is a book brimming with surprises and beauty; it left me breathless.” —Alicia Suskin Ostriker

Most Americans are aware that their sixteenth president was mortally wounded by a man named Booth at a Washington theater in April 1865. These are facts that nobody can dispute. However, a closer look at this history-changing catastrophe raises questions that have still not been fully answered. The passing of the 150th anniversary of the United States’ first presidential assassination is an ideal time for students and scholars to consider these questions.

The story of the American Civil War is not complete without examining the extraordinary and influential lives of Jessie Frémont, Nelly McClellan, Ellen Sherman, and Julia Grant, the wives of Abraham Lincoln’s top generals. They were their husbands’ closest confidantes and had a profound impact on the generals’ ambitions and actions. Most important, the women’s own attitudes toward and relationships with Lincoln had major historical significance.

In his Poetics, Aristotle said a historian and a poet do not differ from each other—one simply writes in verse and the other in prose. In fact, history and poetry have a long connection; much of what we know about ancient history throughout the world came to us through the centuries and millennia as epic poetry purporting to tell the stories of great men and events. The two genres also create a fascinating juxtaposition when each views one through the lens of the other. To consider the life of a historical person through poetry is both to see that person for who they were and to consider who that person could have, or even should have, been in a more poetically perfect world.

William W. Durbin, businessman, political activist, and professional magician, was a major figure in Ohio politics during the first half of the twentieth century, serving as the powerful head of the Ohio Democratic Party and as a senior official in the U.S. Treasury under Franklin D. Roosevelt. Durbin’s story is that of a political maverick who knew how to manipulate behind-the-scenes activities, especially in Ohio’s political arena. He was instrumental in William Jennings Bryan’s near-defeat of William McKinley in Ohio, and two decades later he helped Woodrow Wilson reach the White House. Although Durbin’s vocation was politics, his passion was magic. One of the nation’s premier magicians, who performed on stage as “The Past Master of the Black Art,” he was the first elected president of the International Brotherhood of Magicians, a professional organization that has grown since its first convention in Kenton, Ohio, in 1926 to number more than 15,000 members today.

As bombs fell on London almost nightly from the autumn of 1940 through the summer of 1941, the lives of ordinary people were altered beyond recognition. A reclusive Oxford lecturer found himself speaking, not about Renaissance literature to a roomful of students but about Christian doctrine into a BBC microphone. A writer of popular fiction found herself exploring not the intricacies of the whodunit but the mysteries of suffering and grace. An erudite poet and literary critic found himself patrolling the dark streets and piecing together images of fire and redemption. C. S. Lewis, Dorothy L. Sayers, and T. S. Eliot became something they had not been before the war: bearers of a terrible, yet triumphant, message that people could not expect to be spared from pain and suffering, but they would be redeemed through pain and suffering.

Drawing on C. S. Lewis’s essays, sermons, and fiction, The Lion’s Country offers a comprehensive exploration of Lewis’s understanding of reality—important, Charlie W. Starr argues, to more fully understand Lewis’s writing but also to challenge and inform our own thought about what constitutes the Real.

Slip-cased Lisa’s Legacy Trilogy containing all three cloth editions.

Prelude is a collection of the early comic strips that bring Lisa and Les together and takes fans from the early days of their deep friendship through the birth of Lisa’s baby and the baby’s adoption.

To be published simultaneously with Prelude, The Last Leaf is the sequel after Lisa’s death from breast cancer in Lisa’s Story: The Other Shoe. The Last Leaf recounts how Les and family cope with Lisa’s death and continue their lives. Creator Tom Batiuk brings Lisa back in Les’s imagination, and she helps him work out difficulties and decisions in his life and in the life of their daughter Summer. Fans will recognize Batiuk’s gentle mix of humor and more serious real-life themes that heighten the reader s interest.

In 1999, Lisa Moore, one of Funky’s friends and a main character, discovered she had breast cancer. Batiuk, unsure about dealing with such a serious subject on the funny pages, decided to go ahead with the story line. He approached the topic with the idea that mixing humor with serious and real themes heightens the reader’s interest. Lisa and husband Les faced the same physical, psychological, and social issues as anyone else dealing with the disease.