For twenty-five years, the Rock and Roll Hall of Fame has defined Cleveland’s image as the “Rock and Roll Capital of the World.” But while the Rock Hall has become an iconic landmark for the city of Cleveland and for fans of rock and roll around the world, it was just one missed phone call away from never being built in Cleveland. If the prominent singer and actress Leslie Gore hadn’t contacted radio personality Norm N. Nite in August 1983, the Hall of Fame would not be in Cleveland—period.

Relying on oral histories, hundreds of rare photographs, and original music reviews, this book explores the countercultural fringes of Kent, Ohio, over four decades. Firsthand reminiscences from musicians, promoters, friends, and fans recount arena shows featuring acts like Pink Floyd, The Clash, and Paul Simon as well as the grungy corners of town where Joe Walsh, Patrick Carney, Chrissie Hynde, and DEVO refined their crafts. From back stages, hotel rooms, and the saloons of Kent, readers will travel back in time to the great rockin’ nights hosted in this small town.

The arrival of the Shakers in Ohio, Kentucky, and Indiana in the decades after 1805 saw a substantial escalation in the movement. In Richard McNemar, Music, and the Western Shaker Communities, Carol Medlicott and Christian Goodwillie reconstruct a vast repository of early Shaker hymns, using them to uncover the dramatic history of Shakerism’s bold expansion to the frontier. With newly discovered tunes for more than one hundred Shaker hymns, this volume illuminates a little-known dimension of American folk hymnody.

Before FM radio and the commanding album rock stations of the 1970s, there was WIXY 1260, a tiny Northeast Ohio AM radio station that became an entertainment powerhouse. Three visionaries assembled a legendary staff of on-air personalities and, with savvy programming and groundbreaking promotions, created WIXY 1260—a station that would become synonymous with 1960s pop culture. A Midwest juggernaut, WIXY aired everything from surf and Motown to country and the British Invasion. Crossing cultural and generational lines in one of the hottest radio markets in the country, it regularly took in more than fifty percent of the Greater Cleveland audience.

Between 1955 and 1960, popular Cleveland deejay Tommy Edwards photographed the parade of performers who passed through the WERE-AM radio studio for on-air interviews, shooting more than 1,700 Ektachrome slides. Following his death in 1981, most of the collection vanished and was presumed lost. The few images that remained were often reprinted and rarely credited to Edwards, labeled “photographer unknown.” Until now.

“Of all the world’s major musical cultures, that of China may well be the least thoroughly understood and most often misunderstood by Western scholars and music lovers,” writes J. Lawrence Witzleben. Witzleben adds to the understanding of this musical culture with the first book-length study of one of China’s most influential regional musical traditions. The first Western ethnomusicologist admitted to a Chinese conservatory, Witzleben presents a multifaceted study, based on more than two years of fieldwork in the early 1900s, of “silk and bamboo” string and wind music (Jiangnan sizhu) in Shanghai. Although Jiangnan sizhu is a regional tradition, enjoyed by only a small part of the population, an indepth look at it reveals much about Chinese musical culture. Through his varied experiences as student, performer, and participant-observer, Witzleben is able to present and discuss the perspectives of musicians in Shanghai and of Chinese scholars and teachers, as well as those of a Western-trained ethnomusicologist. The result is a comprehensive understanding of Jiangnan sizhu its musical sounds and concepts; the people who play, teach, and learn the music; and the environment in which it is and has been played, heard, and discussed.

Essentially the story of WMMS, Radio Daze captures the radio scene during the ’70s and ’80s, chronicling how this small FM rock station became the top-rated station in Northeast Ohio and made Cleveland one of the most important radio markets in the world. Mike Olszewski obtained exclusive interviews with many radio legends, revealing how insidious and destructive the battle for radio dominance became. Among other things, he exposes the story behind the reports of ballot box stuffing by WMMS to win the prestigious Rolling Stone magazine Readers’ Poll for best radio station in the country and some of the dirty tricks played by radio stations to get the edge on their competitors.

“Over the centuries a repertoire of solo pipa pieces has developed and this study focuses on those found in the Hua collection, which encompasses the pieces in the repertoire of the Hua family, and was printed, using the wooden block technique, in 1819.  Among the works are many ancient melodies which were handed down through […]

This is a major work, at once synthetic and analytical. The author has drawn on previous studies of Irish music and general melodic theory to describe the inner workings of a rich melodic tradition. Irish folk music, resting upon monophonic melodies which are varied and ornamented, and thus viewed from several perspectives—ethnographic and musical, “insider” and theoretical—to weave an integrated image of a still thriving genre. The concepts of “tune family” and “melody type” are starting points for the qualitative study of melodic change and tune relationships without recourse to simplified tune skeletons or statistics. The concept of “implicit” folk theory leads both to rigorous theoretical analysis and to an examination of the musicians’ own words, thus creating a working model in which a particular performance is understood in a larger context.

In this collection of interviews with major orchestra conductors, James Badal explores the impact of recording technology on contemporary musical culture. Spanning more than a decade with masters such a Vladimir Ashkenazy, Christoph von Dohnányi, and Christopher Hogwood, these discussions offer valuable commentary on the digital revolution and subsequent compact disc explosion.