When Richard Bassett returned from Korea on convalescent leave in 1953, he set down his experiences in training, combat, and captivity. Then he put the memoir away and tried to forget. More than twenty years later, hospitalized for acute Post Traumatic Stress Disorder, he once again faced his personal demons. Expanding the memoir to include his postwar struggles with the U.S. government and his own wounded psyche, the resulting comprehensive account is published here for the first time.

The dispatches included in Volume 1 of The American Civil War through British Eyes offer insight into contemporary Anglo-American relations. This period witnessed the election of Abraham Lincoln, the secession crisis, the formation of the Confederacy, and the first military confrontations of the war. It also raised a host of problems for Great Britain’s relationships with both the Union and the Confederacy, such as how the war would affect British nationals residing in the United States, what course official British policy should take regarding diplomatic recognition of the Confederacy, and the effect that the likely interruption of exports might have on British manufacturing.

Fiction as Fact: “The Horse Soldiers” and Popular Memory is a thorough examination of this famous military action through three genres—Dee Brown’s 1954 historical account, Grierson’s Raid; Harold Sinclair’s 1956 novel The Horse Soldiers; and John Ford’s 1959 film The Horse Soldiers. Neil Longley York demonstrates how historical “truths” are often omitted, fragmented, and altered before being assimilated into popular culture and how the events of our past are often molded to fit the constraints of the present.