Elinor Wylie’s body of work—four novels and four volumes of poetry produced between 1921 and 1928—has often been overshadowed by her controversial personal life. In A Private Madness Evelyn Hively explores the points at which her life and her art intersect and demonstrates how Wylie “used language and literary form to transform the chaos of her experiences.” This purpose was successfully met, as A Private Madness presents Wylie and her work within the culture of the twenties.

Collaborative Form attempts to show the nature and limits of works of art that are made up of two or more artistic forms. The first task of this book is to analyze and interpret a set of such combinations. Each chapter treats one collaborative work and attempts to show that the principles of collaboration are the same, whether the components are poetry and graphic works as in Lettera Amorosa by Rene Char and George Braque, poetry and music as in Herzgewachse by Maurice Maeterlinck and Arnold Schoenberg, or more complex sets that include painting, music, dance, lighting, and drama as in Der gelbe Klang by Wassily Kandinsky, Morder, Hoffnung der frauen by Oskar Kokoschka, and Triad by Alwin Nikolais.

Under Kilimanjaro is the last of Hemingway’s manuscripts to be published in its entirety. Editors Robert W. Lewis and Robert E. Fleming believe that “this book deserves as complete and faithful a publication as possible without editorial distortion, speculation, or textually unsupported attempts at improvement. Our intent has been to produce a complete reading text of Ernest Hemingway’s manuscript. . . .Working on it was both a privilege and a responsibility. . . .Readers of this remarkable work will experience the mingled pleasure of revisiting the familiar and discovering the new.”

The Plants of Middle-earth draws on biography, literary sources, and cultural history and is unique in using botany as the focal point for examining the complex network of elements that comprise Tolkien’s creation. Each chapter includes the plants’ description, uses, history, and lore, which frequently lead to their thematic and interpretive implications. The book will appeal to general readers, students, and teachers of Tolkien as well as to those with an interest in plant lore and botanical illustration.

Professor Peter L. Hays, an experienced teacher who has taught The Sun Also Rises for more than forty years, has gathered together other seasoned instructors who teach Ernest Hemingway’s rich and complex novel. An informative collection of approaches to the presentation of The Sun Also Rises, this volume provides historic background and a glossary of arcane references, presents critical interpretations, and offers methodologies to inspire teachers of college and high school students.

Herman Melville’s reputation as a great writer has gradually evolved throughout the past century. Tempered by studies that emphasize the Western literary tradition, literary appreciation for Melville’s use of folklore has been slow in developing. This ground-breaking study brings to the forefront the depth of Melville’s immersion with and borrowing from oral traditions. Though intended as a survey of Melville’s use of folklore, this book serves also as a general introduction to his work. Unencumbered by critical jargon and narrated in an engaging manner, this book will appeal to general readers as well as seasoned scholars of Melville.

Willie Harrell has assembled a collection of essays on Dunbar’s work that builds on the research published over the last two decades. Employing an array of approaches to Dunbar’s poetic creations, these essays closely examine the self-motivated and dynamic effect of his use of dialect, language, rhetorical strategies, and narrative theory to promote racial uplift. They situate Dunbar’s work in relation to the issues of advancement popular during the Reconstruction era and against the racial stereotypes proliferating in the early twentieth century while demonstrating its relevance to contemporary literary studies.

Small Comforts quietly probes the mysteries of an ordinary life when reviewed at middle age. Essayist Jeff Hammond, a midcareer academic who examines a variety of lifelong obsessions, frustrates any expectation that life’s fogs dissipate as we age. At stake here is the need for those of us who have reached a “certain age” to look at who we have become with courage, honesty, and humor.

In Ohio States: A Twentieth-Century Midwestern, Jeffrey Hammond asserts the quiet mysteries of an ordinary life. More than simply a glimpse of life in the Midwest in the 1950s, this collection of well-crafted, touching narratives finds the author recalling his childhood and youth with a mixture of affection and alarm.

In this, his third collection of stories, Lester Goran moves us again through the times and places indelibly stamped with his wit and insight about people and events lost to history. Outlaws of the Purple Cow centers around the domains of Irish-American men and women in Pittsburgh. Goran creates once more his world of poignant and magical times and places within the mundane affairs of ordinary men and women. Goran’s evocative settings and narratives range form the supernatural to the humorous, from bawdy to richly detailed realism.