Black, White, and Red All Over explores socialist periodicals in the agrarian heartland; views socialists’ attempts to provide alternatives to urban dailies; explores the radical press crusade to champion workers; analyzes the role anarchist periodicals played in their pioneering battles for a free press, free speech, and free love; surveys socialism in the black press; and details the federal government’s wartime campaign to suppress the radical press. It draws parallels with Occupy Wall Street’s social media movement. Despite the distance from the typewriter to Twitter, Lumsden concludes that twenty-first-century social movement media perform nearly the same function as did their nearly forgotten predecessors.

Many Americans associate the House of David with its bearded barnstorming baseball teams of the 1920s and ’30s. Others may recall the sex scandal associated with the group, a scandal that gave newspapers during the first years after World War I some added spice. Still, others may know it as a religious communal society founded in 1903, which has a few adherents today.

The antislavery movement entered an important new phase when William Lloyd Garrison began publishing the Liberator in 1831—a phase marked by massive petition campaigns, the extraordinary mobilization of female activists, and the creation of organizations such as the American Anti-Slavery Society. While the period from 1831 to 1865 is known as the heyday of radical abolitionism, the work of Garrison’s predecessors in Massachusetts was critical in laying the foundation for antebellum abolitionism. To Plead Our Own Cause explores the significant contributions of African Americans in the Bay State to both local and nationwide antislavery activity before 1831 and demonstrates that their efforts represent nothing less than the beginning of organized abolitionist activity in America.

Few are familiar with one of the Holocaust’s most monstrous acts, the systematic murder of 5,000 Jewish residents in a Nazi-occupied Polish town, Trochenbrod, on August 11, 1942. Of the 33 who escaped death, only one person remains to describe these events—Betty Gold. Twelve-year-old Betty and her family hid inside a secret wall built by her father and, when it seemed safe, crept toward the forest, which became their home.

“Detailed research and thoughtful insights make David Zeisberger: A Life among the Indians a valuable study of Indian-Colonist relations in eighteenth-century British North America. Judicious in approach and compassionate without being polemical or sentimental, Olmstead brings to life the story of this Moravian missionary to the Eastern Woodland Indians. This volume, in combination with the author’s Blackcoats Among the Delaware, merits acceptance as the standard work about Zeisberger.” Philip Weeks, author of Farewell, My Nation: The American Indians and the United States.

This is the first full-length biography of Ida Saxton McKinley (1847– 1907), the wife of William McKinley, president of the United States from 1897 to his assassination in 1901. Long demeaned by history because she suffered from epilepsy—which the society of her era mistakenly believed to border on mental illness—Ida McKinley was an exceptional woman who exerted a strong influence on her husband’s political decisions.

On October 12, 2012, the play, May 4th Voices, was featured at the annual Oral History Association Conference in Cleveland, Ohio. Over the next month, film director Mathias Peralta and stage director Katherine Burke worked with the cast to create a film version of the production to accompany A Teacher’s Resource Book for May 4th Voices. The film received its debut at the Modern Language Association annual meeting in Boston on January 5, 2013 and will receive its broadcast debut on Western Reserve Public Media on PBS channels 45 and 49 and made available for national distribution in late spring 2013.

The text of David Hassler’s play is based on the Kent State Shootings Oral History Project, begun in 1990 by Sandra Halem and housed in Kent State University Libraries’ Department of Special Collections and Archives. The collection is comprised of over 110 interviews, with first-person narratives and personal reactions to the events of May 4, 1970, from the viewpoints of members of the Kent community; Kent State faculty, students, alumni, staff, and administrators who were on campus that day; and National Guardsmen, police, hospital personnel, and others whose lives were affected by their experience. Weaving these voices and stories together anonymously, Hassler’s play tells the human story of May 4th and its aftermath, capturing the sense of trauma, confusion, and fear felt by all people regardless of where they stood that day.

Created to supplement May 4th Voices, a play based on the 1970 tragedy, A Teacher’s Resource Book for May 4th Voices: Kent State, 1970 explains how real teachers in real classrooms have adapted the play to use in various pedagogical situations and levels of instruction. It offers lesson plans and background material for students and teachers, describing the national mood in 1970, the events in Southeast Asia that heightened tensions on U.S. campuses, and the culture of antiwar dissent both nationally and within the community of Kent, Ohio.

In 1822, Denmark Vesey was found guilty of plotting an insurrection—what would have been the biggest slave uprising in U.S. history. In Denmark Vesey’s Revolt, John Lofton draws upon primary sources to examine the trial and provide, as Peter Hoffer says in his new introduction, “one of the most sensible and measured” accounts of the subject. This classic book was originally published in 1964 as Insurrection in South Carolina: The Turbulent World of Denmark Vesey, and then reissued by the Kent State University Press in 1983 as Denmark Vesey’s Revolt: The Slave Plot That Lit a Fuse to Fort Sumter.