In this classic and coveted volume, artist Frank N. Wilcox tackles the difficult job of mapping the Indian trails of Ohio. Basing his work on the journals and records of early settlers and soldiers, his knowledge of Native American ways, and his intimacy with the Ohio landscape, he locates and documents the major Indian towns and trails that crisscross the state. His maps, drawings, and watercolors beautifully evoke the lives and cultures of Ohio’s first peoples.

In the heyday of Civil War commemoration at the turn of the twentieth century, Mississippi’s Vicksburg National Military Park was considered “the art park of the South.” By 1920, more than 160 portrait statues, busts, and reliefs of Vicksburg’s defenders under Gen. John C. Pemberton and the besieging Union army commanded by Gen. Ulysses S. Grant lined the tour route along the earthworks around the Gibraltar of the Confederacy. Most of the memorial art and architecture was built in the classical revival Beaux-Arts style popular following the World’s Columbian Exposition of 1893. The federal government, states, and individual patrons commissioned dozens of sculptors and architects to create these enduring structures, marking the historic battlefield and commemorating the men and events involved in the campaign and siege of Vicksburg.

In this third volume, award-winning cartoonist Tom Batiuk continues to chronicle the lives of a group of students from the fictitious Westview High School. Funky Winkerbean fans are introduced to a host of new characters, including black cheerleader Junebug Jones; Melinda Budd, Holly Budd’s ambitious stage mother; Jerome the drum major; Nancy the school librarian; Ron the tennis pro; Irma, Rita Righton’s tennis partner; Channel One reporters Brenda Harpy and Minnie Cameron; talk show host John Darling; news anchor Charlie Lord; Phil the Forecaster; and program director Reed Roberts. Batiuk also features a troupe of inanimate forms achieving sentience, such as talking trees, clouds, school desks,video games, and a talking tennis ball machine that goes on to play at Wimbledon.

On October 12, 2012, the play, May 4th Voices, was featured at the annual Oral History Association Conference in Cleveland, Ohio. Over the next month, film director Mathias Peralta and stage director Katherine Burke worked with the cast to create a film version of the production to accompany A Teacher’s Resource Book for May 4th Voices. The film received its debut at the Modern Language Association annual meeting in Boston on January 5, 2013 and will receive its broadcast debut on Western Reserve Public Media on PBS channels 45 and 49 and made available for national distribution in late spring 2013.

Since its debut on March 27, 1972, Funky Winkerbean has chronicled the lives of a group of students from the fictitious Westview High School. This second volume, which presents strips from 1975, 1976, and 1977, sees the comic strip rounding into the form that will carry it into its middle years. With gentle humor and not-so-gentle puns, Les, Funky, Crazy Harry, and the gang comment on life’s little absurdities.

Since its debut on March 27, 1972, Funky Winkerbean has chronicled the lives of a group of students from the fictitious Westview High School. This volume, which presents the strip’s first three years, introduces the strip’s title character, Funky, and his friends Crazy Harry Klinghorn, Bull Bushka, Livinia Swenson, Les Moore, Holly Budd, and Roland Mathews. Prin- cipal Burch, counselor Fred Fairgood, and band director Harry L. Dinkle also make their first appearances.

In A Higher Contemplation, author Stephen N. Fliegel introduces medieval Christian iconography and its forms, meaning, function, context, and symbolism to twenty-first-century audiences. Serving as a guide to the subtleties, complexities, richness, range, and antiquity of medieval Christian artistic traditions and the multiple levels in which they can be understood, this book will aid the reader in a journey of discovery and understanding of those sacred images. Beautifully designed will full-color illustrations, A Higher Contemplation will appeal to students, teachers, travelers, art lovers, and those with an aspiring interest in the culture of the Middle Ages and the history of religion.

This exploration of the artistry of Romeo Celleghin reveals the pressing need to undertake research and documentation of religious and sacred artwork before records and art pieces are lost or forgotten forever. Whitelaw’s discoveries help illuminate the path for others and have not only recovered the beauty of Celleghin’s art, but remind us to be vigilant in honoring and preserving the significant works of art that enhance our houses of worship.

For thousands of years humans have grappled with the idea of Nature. This enduring question has left its poignant mark on a multiplicity of images, stories, works of art, and philosophical and religious systems. In A Vision of Nature, Michael Tobias seeks to unravel the aesthetic, psychological, and philosophical impact that the Earth has had on humanity. It is a dramatic and invigorating overview of the new field of ecological aesthetics. Comprised of 10 autobiographical essays, A Vision of Nature is lavishly illustrated with art and images never before brought together in an ecological context. The author examines the mystical links between Vivaldi, Giorgione, and Dosso Dossi and draws important parallels between the Age of Exploration and the rise of the “interior landscape” in the works of van Eyck and Vermeer. Tobias examines the ancient cultures of the Mediterranean, the ascetics of Sinai and Tibet, and the Pure Land Buddhists. He introduces the reader to the Jains of India, whose lifestyle is one of the most ecologically balanced in all of human history. In profiling various artists of 19th century Europe and America, Tobias discovers incisive continuities among such luminaries as British poet Percy Bysshe Shelley, Austrian impressionist Emilie Mediz-Pelikan, and American intimist painters Ralph Blakelock and George Inness. Tobias finds a common, transcendent instinct that affirms rebirth over destruction in the lives of explorer Francis Kingdon Ward, storyteller Hugh Lofting, philosopher Nikos Kazantzakis, and film character King Kong. He concludes his lyrical investigations in the Antarctic, where he ponders the future of humanity and its role as caretaker of the Earth. Ultimately, the survival of humankind and of all other species hinges upon our willingness to uphold and celebrate the truth, beauty, and very sanctity of Nature.

A master artist and teacher of metalwork presents a bold new approach to creative expression in metal. Believing that the time has come for the artist to free himself from the functional forms that have dominated the metal smith’s craft—the cup, the box, the pitcher, etc.—Heikki Seppa urges the craftsman to create in terms of pure form, and in this book he shows him how. Two Things are essential. The first is a thorough understanding of the special properties of metal as an artistic medium and an intimate knowledge of techniques for working it. Only when he has mastered the physical means of working with metal can the artist free his imagination for unimpeded creation. Though not addressed to the beginner, Seppa discusses the fundamental techniques of planishing, soldering, and hinging—all the basic means by which metal is shaped. The second is to free the artist from thinking in terms of function, since this limits his concepts of what can be created.