Some of the world’s greatest literature is devoted to expressing the joys and sorrows humans experience as they grow old. New opportunities and challenges appear: retirement, a special closeness with the family, failing health, the recognition of personal mortality, prejudice against the elderly, and grief over the losses of loved ones and places. This collection of more than 60 short stories, poems, and plays addresses these issues primarily through the works of modern American writers, including Bernard Malamud, Eudora Welty, Saul Bellow, Edward Albee, Robert Frost, Denise Levertov, William Carlos Williams, Ernest Hemingway, Alice Walker, Kurt Vonnegut, and others. The selections represent the experience of aging from the perspective of persons of diverse color, ethnicity, and background, and are complemented by illustrator Elizabeth Layton’s wry and perceptive prints.

“Mindi Kirchner possesses an unblinking honesty and wit that is at once enchanting and heartbreaking. Her agile, beautifully crafted poems address the disappointments and sorrows of our uncrafted, ordinary lives and the painful distance between reality and imagination. She celebrates the joy in spite of, not because of, what is. Like a Buddhist she wishes for no other life, no reincarnation. And yet, as her reader, I can’t wait to see more, more lives, or at least many more books, from this talented new voice.”—Nin Andrews

Professional translation and translators have assumed a critical role in the modern world. The globalization of economies and communications has led to an increasing demand for professional translators to act as linguistic and cultural mediators in a growing exchange of scientific, technical, commercial, and legal information. For almost 40 years European universities have struggled to meet the demand by establishing professional translator training programs and building translation curricula. Sometimes these curricula have not been based on clear understanding of the process of translation itself. Donald C. Kiraly in Pathways to Translation examines the state of the art of translator training in Germany and Europe and finds a number of significant problems.

In many ways, Woodrow Wilson and the era of World War I cast a deeper shadow over contemporary foreign policy debates than more recent events, such as the Cold War. More so than after World War II, Wilson and his contemporaries engaged in a wide-ranging debate about the fundamental character of American national security in the modern world. The Will to Believe is the first book that examines that debate in full, offering a detailed analysis of how U.S. political leaders and opinion makers conceptualized and pursued national security from 1914 to 1920.

“The image evoked by Intaglio, this first collection by Ariana-Sophia Kartsonis, rests on a paradox, one perhaps central to the poetic impulse itself: that design can be shaped by what is cut away, by the loss that surrounds it, so that what is missing creates the negative space which raises the figure in relief, presents it to sight, and touch. Relief: a word whose two meanings—one artistic and material, the other emotional and intangible, together suggest how art engraves meaning.” —Eleanor Wilner, Judge

Volume 2, Ourika and Its Progeny, contains the original translation of Claire de Duras’s Ourika as well as a series of original critical essays by twenty-first-century scholars. First published anonymously in 1823, Ourika signifies an important shift from nineteenth-century notions of race, nationality, and kinship toward the identity politics of today. Editors Kadish and Massardier-Kenney and their contributors review the impact of the novel and abolitionist narrative, poetry, and theater in the context of translation studies.

Translating Slavery explores the complex interrelationships that exist between translation, gender, and race by focusing on antislavery writing by or about French women in the French revolutionary period. Now in a two-volume collection, Translating Slavery closely examines what happens when translators translate and when writers treat issues of gender and race. The volumes explore the theoretical, linguistic, and literary complexities involved when white writers, especially women, took up their pens to denounce the injustices to which blacks were subjected under slavery.

“Honoree Jeffers is an exciting and original new poet, and the Gospel of Barbecue is her aptly titled debut work. These poems are sweet and sassy, hot and biting, flavored in an exciting blend of precise language and sharp and surprising imagery that delights. They leave a taste in your mouth, these poems; they are true to themselves and to the world. They are gospel, indeed, and this young poet will be heard more and more spreading the true word. Good news!” —Lucille Cliffton

Beyond Forgetting is a unique collection of poetry and short prose about Alzheimer’s disease written by 100 contemporary writers—doctors, nurses, social workers, hospice workers, daughters, sons, wives, and husbands—whose lives have been touched by the disease. Through the transformative power of poetry, their words enable the reader to move “beyond forgetting,” beyond the stereotypical portrayal of Alzheimer’s disease to honor and affirm the dignity of those afflicted. With a moving foreword by poet Tess Gallagher, this anthology forms a richly textured literary portrait encompassing the full range of the experience of caring for someone with Alzheimer’s disease.

Historical patterns suggest that democratic governments, which often fight wars against authoritarian regimes, maintain peaceful relationships with other governments that uphold political freedoms and empower their civil societies—a concept known as “democratic peace.” Democratic Peace in Theory and Practice is a timely collection of essays by leading scholars that examines how democracies maintain relationships and how democracies are spread throughout the world.