“Lou Suarez’s poems are about what we can and can’t see. Watch, look, see—usually these verbs are the pivots of his poems. Even our inner lives are visible here; the imagination makes voyeurs of us all. But what we see by means of these carefully made poems is not something like knowledge, but something both stranger and more familiar; a map of our puzzlement and wonder.” —William Mathews

The first volume in this new series is Reading Hemingway’s The Sun Also Rises, by H. R. Stoneback. The Sun Also Rises, Ernest Hemingway’s first big novel, immediately established him as one of the great prose stylists and preeminent writers of his time. It is also the book that encapsulates the angst of the post–World War I generation, known as the “Lost Generation.” This poignant story of a group of American and English expatriates on an excursion to Pamplona represents a dramatic shift in Hemingway’s ever-evolving style. Featuring Left Bank Paris in the 1920s and brutally realistic descriptions of bullfighting in Spain, the story is about the flamboyant Lady Brett Ashley and the hapless Jake Barnes in an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions.

“Alison Stine’s best poems here are confessional and meditative sequences, but are shadowed by the tradition of dramatic narrative; they propose types of redemptive performance….Their white spaces are crucial to this ironic self appraisal, in which a lost, outcast belated family is assembled by invocation.”—Robert Hill Long

Grounded in archival research conducted in the archives of the World Bank, Food and Agriculture Organization, and World Health Organization, as well as in other archives in the United States, Canada, and Great Britain, The Birth of Development provides a foundational understanding for many of today’s debates on economic globalization, especially those that involve the World Bank and World Trade Organization. Given the current role of international peacekeepers and multinational aid agencies, this story is timely and makes clear that the issues that confronted early postwar planners and reformers remain in many ways unsolved even today.

“There are poems which carry us clean away, transporting us into worlds as specific as the pink purse the author of Visible Heavens helps a little boy buy for his teacher, Miss Stone. Melancholy and loss, the missing of a gone mother, passion and solitude—stirringly well mixed in one potent brew of a book. Readers will feel at home here, but they’ll also feel ignited with new presences, keenly visible and invisible perceptions—‘It is a gift, this light we carry in our lungs.…’ Cheers to Joanna Solfrian for a fine first book, the stunning deep breath of her voice.” —Naomi Shihab Nye, judge

“Tight and purposeful as a fable, The List of Dangers gives us sorrows and warnings from a world imbalanced by beasts and little beauties. The images are precise as a child’s playroom—keyholes, miniature candelabra, the ‘trebly notes’ of wrens and gypsies— but perilous in their tender transformations. Maggie Smith’s rich lyric gifts produce here a poetry of balancing composure in the face of peril and pretty chance.” —David Baker, author of Midwest Eclogue

Samuel Shem’s classic novel about medical internship, The House of God, is required reading in medical schools throughout the world and is celebrated for its authentic description of medical training and practice, for its Rabelaisian comedy, and for its humanism and vision. His new novel, and most ambitious work yet, The Spirit of the Place, tells the story of an expatriate doctor called home to Columbia, New York, in the early 1980s to face his own history and that of the place. It is a novel of love and death, mothers and sons, ghosts and bullies, doctors and patients, illness and healing.

A musical instrument that has played a vital role in Latin American music cultures—the harp—is the subject of this new work, the first study of its kind to be published in English. John Schechter presents a history of the harp in Spain, traces its introduction into colonial Latin America, and describes its modern roles in the diverse cultural centers of Mexico, Paraguay-Argentina-chile, Venezuela, and Peru. He then turns his focus to his own field research in the Quichua culture of northern highland Ecuador, an area that has receive considerably less scholarly attention than many of its Latin American neighbors. The reader will meet a community of harp maistrus on the slopes of Mt. Cotacachi and become familiar with their culture, their particular instrument and its tuning, and their performance practices. Numerous photographs, musical transcriptions, and diagrams illustrate and enliven the text. The Indispensable Harp is unique for its integration of aspects of music and cultural history, organology, and performance practice, treating in considerable depth both broadly established music-ethnographical practices. It speaks to the conclusion that the vital role of the harp in Latin American music history has now been properly acknowledged and documented.

Judy Schaefer has compiled this anthology of contemporary nurse-poets’ work, which is accompanied by their commentaries about their poetry, their work, and their lives. She has gathered contributions from some of the best-known nurse-poets as well as from those who deserve to be. The Poetry of Nursing will add significantly to the ever-growing body of literature that connects medicine, nursing, and the humanities.

“Inspired by the story of Secundus the Silent Philosopher and the twenty vital questions posed to him by Emperor Hadrian, J. Gabriel Scala’s Twenty Questions for Robbie Dunkle moves swiftly and deftly into the essence of human existence—memory. Imbued with that ancient consideration, Robbie Dunkle emerges as a chance metaphor for the poet’s own past, the dead past, which becomes our past, with all of its wonders and wastes, which only brilliant poetry can revive this powerfully.”—Larissa Szporluk