In language that resonates with power and beauty, this compilation of personal letters written from 1844 to 1864 tells the compelling story of controversial newspaper editor Will Tomlinson, his opinionated wife (Eliza Wylie Tomlinson), and their two children (Byers and Belle) in the treacherous borderlands around that “abolitionist hellhole,” Ripley, Ohio. The

Printer’s Kiss includes many of Tomlinson’s columns that appeared in the Ripley Bee, the local Ripley newspaper, and excerpts from a short story in the Columbian Magazine. It features many of his letters to his family and a remarkable number of letters from Eliza and the children to Tomlinson while he was away during the Civil War, serving variously as quartermaster sergeant for the Fifth Ohio, as captain of a company of counterinsurgents in West Virginia, as an independent scout and spy in Kentucky, as a nurse on a hospital boat, and as a compositor for the Cincinnati Gazette.

When it came to football in the 1930s, the college sport was king. But in 1933, former boxer and minor league baseball player Art Rooney, who had quarterbacked the squad at Duquesne University, purchased a team for Pittsburgh for $2,500. Thus began the legacy we know as “Steeler Nation.”

At the time, no one could have imagined that the Pirates, as they were originally named, would become a treasured possession for Pittsburghers. For the first 40 years, the franchise was a national joke. With only one playoff performance—a 21–0 defeat at the hands of the Philadelphia Eagles for the eastern division title in 1947—highlights were minimal for a team that regularly found itself at the bottom of the standings.

The antislavery movement entered an important new phase when William Lloyd Garrison began publishing the Liberator in 1831—a phase marked by massive petition campaigns, the extraordinary mobilization of female activists, and the creation of organizations such as the American Anti-Slavery Society. While the period from 1831 to 1865 is known as the heyday of radical abolitionism, the work of Garrison’s predecessors in Massachusetts was critical in laying the foundation for antebellum abolitionism. To Plead Our Own Cause explores the significant contributions of African Americans in the Bay State to both local and nationwide antislavery activity before 1831 and demonstrates that their efforts represent nothing less than the beginning of organized abolitionist activity in America.

Hauptmann’s Ladder is a testament to the truth that counters the revisionist histories all too common in the true crime genre. Author Richard T. Cahill Jr. puts the “true” back in “true crime,” providing credible information and undistorted evidence that enables readers to form their own opinions and reach their own conclusions.

The Widows’ Handbook is the first anthology of poems by contemporary widows, many of whom have written their way out of solitude and despair, distilling their strongest feelings into poetry or memoir. This stirring collection celebrates the strategies widows learn and the resources they muster to deal with people, living space, possessions, social life, and especially themselves, once shock has turned to the realization that nothing will ever be the same. As Supreme Court Justice Ruth Bader Ginsburg says in her foreword, losing one’s partner is “a loss like no other.”

“These nineteen supple poems have both a strong sense of unity and a wide spectrum of forms, themes, and moods. Virtuosic writing combines with jagged feeling, and the end result is engaging, dramatic, and unpredictable.”—Henri Cole

“These poems have a strong voice and a bold reach: they turn outwards, finding big subjects and solid narratives. They seek to make a world: and then they persuade the reader to live in it.”—Eavan Boland

“When the wire man in love with the boiled wool woman imagines himself making love with her under the emerald tree and then making her a mouth, is he desiring to make for her a mouth, or to make of her a mouth? Such questions charge Karen Schubert’s off-kilter worlds with a force less like gravity than like Brownian movement: the poems in I Left My Wings on a Chair don’t orbit, they careen.”—H. L. Hix

“Karen Schubert’s latest collection, I Left My Wings on a Chair, reminds me why I love prose poetry. These are beautiful prose poems; each one is a gem; each one is sublime, witty, and surprising. It’s as if she has taken the world that we see and experience every day and given it back again, refreshed, alive, and shimmering. Reading her poems reminds me of reading William Stafford and Naomi Shihab Nye, poets who let you see the mystical and the absurd in the everyday, who make you feel a little better about being alive.” —Nin Andrews

“This book is a document of a particular world, real, wrenched from the poet’s life, as if written with a gun to his head or a spike through his heart. Reading it is like opening a damp newspaper wrapped around a big fish just caught, fins glistening, scales shining, one rhymed eye open and looking right at you, daring you to eat the whole thing.”—Dorianne Laux, author of The Book of Men

Thousands of volumes of Civil War letters are available, but little more than a dozen contain collections written by native Germans fighting in this great American conflict. Yankee Dutchmen under Fire presents a fascinating collection of sixty-one letters written by immigrants who served in the 82nd Illinois Volunteer Infantry Regiment. The 82nd Illinois was one of the thirty or so predominantly “German Regiments” in the Union army, and one of only two Federal regiments containing a Jewish company. Fighting alongside the Germans was a company of Scandinavians, plus a scattering of immigrants from many other countries.

Repousis chronicles American public attitudes and government policies toward modern Greece from its war for independence (1821–1829) to the Truman Doctrine (1947) when Washington intervened to keep Greece from coming under communist domination.