While French fashion has historically set the bar across the Western world, the cultural influences that inspired it are often obscured. Dressing à la Turque examines the theatrical depictions of Ottoman costumes, or Turkish dress, and demonstrates the French fascination for this foreign culture and its clothing. The impact, however, went far beyond costumes worn for art and theater, as Ottoman-inspired fashions became the most prominent and popular themes in French women’s fashion throughout the 18th century.

Black Hair in a White World is a groundbreaking, serious study of the cultural history, perceptions, and increasing acceptance of Black hair in broader American society. Editor Tameka N. Ellington brings together a varied group of scholars who together make an important contribution to ongoing discussions about race, gender, sociology, and self-expression.

Continuous innovation and experimentation with the materials used in constructing textiles, apparel, and accessories creates an ever-growing challenge for professional curators and collectors. Recognizing problematic fibers, dyes, finishes, and fabric and yarn constructions is crucial for maintaining objects’ appearance, minimizing deterioration, and isolating those that are potentially harmful to other objects.

On February 29, 1968, the White House hosted its first—and only—fashion show. At the time, the patriotic event was lauded by the press, and many predicted it would become an annual occasion, especially since fashion had grown to become the fourth largest industry in the United States, employing 1.4 million Americans, more than 80 percent of them women. But the social and political turmoil of that particular year—from the Vietnam War, the civil rights movement, and the assassinations of Dr. Martin Luther King Jr. and Sen. Robert F. Kennedy—cast a shadow over the festivities.