“Imagine a postmodern Pindar with a liberal arts education and good command of Polish; think of an Orpheus who starts out as a horny kid from the American suburbs, hits the road like Kerouac, learns a few things along the way, but still looks back—wacked! Kress has come up with some playful and surprisingly haunting sonnets that glance at the old stories but sing their own new, not too sweet songs.” –Julia Kasdorf

“Karen Kovacik’s poems are strong, distinctive and thoroughly wonderful works. Her personal poems such as ‘Watching My Father Pray’ make use of autobiographical detail in a way that is never insular or hermetic. And her Richard Nixon persona poems are stunning, brave, and original. American poetry, and American writing in general, tends to be sadly ahistorical, and the way these poems take on one of history’s most loved and hated figures, giving him voice and making him human, is truly impressive. Nixon and I is an amazing debut.”—Jesse Lee Kercheval

“Mindi Kirchner possesses an unblinking honesty and wit that is at once enchanting and heartbreaking. Her agile, beautifully crafted poems address the disappointments and sorrows of our uncrafted, ordinary lives and the painful distance between reality and imagination. She celebrates the joy in spite of, not because of, what is. Like a Buddhist she wishes for no other life, no reincarnation. And yet, as her reader, I can’t wait to see more, more lives, or at least many more books, from this talented new voice.”—Nin Andrews

“Kate Hancock’s poems combine intellectual rigor with emotional recklessness like oil and water under special dispensation. This rare ability is a tell-tale sign of a true poet, and the reader who lets these poems have their sure way with him or her will not forget them.”—William Matthews

“The poetry, page after page, is of the kind that keeps the reader on the critical edge, both ecstatic and lucid, both active and illumined. . . . What began in the first part of the book with the evocations of a struggle to unclench a rock-locked fist’ is projected, in the end, on the geography of the continent itself, desolate yet lyrical. Nothing more exotic here than the beauty of utterance set free.”—Stavros Deligiorgis

“Reading The Auctioneer Bangs His Gavel, I had the sense of finding a poet I’d been looking for unawares: one who intertwines a survey of human sexuality (and gay sexuality at that) with theological questions; one who tackles ambitious poetic projects without sounding pretentious; one who writes fables using the ordinary materials of daily reality; one who balances the Jewish sources of the Western tradition with its Hellenic counterpart; one who knows how to be serious with the assistance of laughter; one who can tell a story and excerpt his own autobiography as a way of gaining larger perspectives on experience. ‘No things but in ideas,’ seems to be his aesthetic motto, and that has served him well in his goal—to declare that we are free to follow our natures in the pursuit of happiness.”—Alfred Corn

Weeks in This Country is a collection of poems concerned with place. From Turkey to rural Bohemia to Cape Cod, Griffith uses the rich imagery of her travels to evoke both the exotic and the personal. These are poems of observation and poems of meditation. Ultimately, they speak of the longing for connection—among individuals, between cultures, and across history.

“Jason Gray’s How to Paint the Savior Dead rethinks the complex traditional connections among women’s bodies, spirituality, and art. Gray is not afraid of hard work, hard thought, and big vision just because the subject of his fascination has been both exalted and besmirched by tradition, both enriched and impoverished by the hands of our predecessors. Gray throws himself into the mix of muses, amore, and immortality with more—much more—than common wit, passion, and intelligence. As he separates out mortal beauty from immortal, he ignores, as one of his poems says, ‘what is heavenly for what is Heaven.’” — Andrew Hudgins

“In Toward Evening and the Day Far Spent, Stephen Frech takes a time-honored, traditional subject, the life of Christ, and brings it to life again. At the same time he deftly explores the divided nature of human beings—what it means to be spirit living in flesh, what it means to be incarnate. These fine, subtle, thoughtful poems again and again find the myth inside the real and the real inside the myth.”—Andrew Hudgins

Recipe for Blackberry Cake is a collection of poems about women’s lives—poems about girlhood, about mothers and daughters, about how relationships between women are distorted by violence in the home. The poems tell the stories of four generations of women, beginning in the coal camps of West Virginia in the late 1940s and ending in a shopping mall in Ohio some 50 years later. At the heart of the collection is the choice to tell how dangerous and how brave the lives of our mothers, grandmothers, and daughters have been.