“In the old story of love and loss, Lisa Ampleman’s I’ve Been Collecting This to Tell You cuts to the core of the matter with concision and subtlety. Hearts are laid bare, dissected, even grown anew. Masterfully structured and alert to the most vital details, this collection has lots to tell us—and a voice at once authentic and lyrical with which to do it.”
—Don Bogen

“Traveling from her pastoral America to Neruda’s Chile and the Ireland of St. Kevin, Elizabeth Breese sings the lonely-wild lyric of ditch flowers and raw honey, tornados and radios, broken birds and sailors lost at sea. Her ars poetica: ‘little bee hand in pocket editions, the rough- / cut paper combs, dancing for the things it loves.’” —Harryette Mullen

“Jody Rambo’s first book of poetry, Tethering World, is lyrical, tactile, and transcendent—in a word, enthralling. The very texture embodies a personal way of seeing and saying, as does the extraordinary range of circumstances. There is a beguiling strangeness to the writing, and philosophical smarts to boot. ‘I am weatherly,’ says the speaker in Tethering World, and she truly is, singularly so. This book is poetry top to bottom.” —Marvin Bell

“These poems are like yen the color and the size of dollars.  They are American poems, they are English, but they almost seem like versions of the Japanese.  The music is lovely and the form is graceful.  They are a delight to read.”—Gerald Stern

Jeanne Bryner is a registered nurse. Her poems and stories have appeared in several magazines and journals, including Annals of Internal Medicine, American Journal of Nursing, International Journal of Arts Medicine, The Sun, and in the anthology Intensive Care. She is also the author of Tenderly Lift Me: Nurses Honored, Celebrated, and Remembered (2004).

“Energy, dynamic energy emanates from Mary Weems’ careful, observing eyes into her language. These poems offer immediacy, intelligent response, and rich repartee with the difficult urban world of a gentle warrior.”—Diane Wakoski

Invoking the sacred and the profane, Juliana Gray Vice speaks to the reader with a powerful voice. The poetry of History in Bones catechizes the reader with the mundane and the extraordinary.

“Will Toedtman approaches all his subjects—from street football to Orpheus—with nothing less than full attention. His voice is distinctive, and it clearly has something to say. A steady gaze, subtle pacing, and an ear for the rhythms of both speech and tradition shape these thoughtful poems. In The Several World insight and craft come together in a seamless working whole.” –Don Bogen

“A clear, seemingly effortless voice and a special curiosity animate the world Liz Tilton gives us in Salt. And it is a world, ranging from domestic life—loose change, gardening, the intricacies of love—to manatees and the governor of Texas. Discoveries abound. Salt is smart, subtle, and essential.”—Don Bogen

“Lou Suarez’s poems are about what we can and can’t see. Watch, look, see—usually these verbs are the pivots of his poems. Even our inner lives are visible here; the imagination makes voyeurs of us all. But what we see by means of these carefully made poems is not something like knowledge, but something both stranger and more familiar; a map of our puzzlement and wonder.” —William Mathews