In this thoughtfully researched and beautifully written study, Danielle St. Hilaire argues that we can find frameworks for understanding the intersection of emotion, ethics, and literature that unite modern discourses of aesthetic autonomy with seemingly incompatible ethical theories that have largely fallen out of contemporary discussions regarding the value of literature.

More Important Than Good Generals is an in-depth study of the Army of the Tennessee’s junior officers—the company and field grade lieutenants, captains, majors, lieutenant colonels, and colonels. While many studies have examined generals and common soldiers, Civil War armies’ “middle management” has been largely ignored.

Though Ernest Hemingway distrusted Hollywood and often found himself in conflict with directors and producers, he frequented theaters and freely acknowledged the art and potential that cinema contained. In turn, the film industry’s interest in his stories has endured for nearly a century. Focusing on the relationship between written and cinematic work, Hemingway and Film brings together diverse literary and film studies scholars to both deepen understanding of Hemingway’s fiction and film adaptations and to provide practical guidance for approaching these topics in the classroom.

To demonstrate how a Union force overpowered Confederate troops in and around Fredericksburg, Erik F. Nelson emphasizes the role of terrain. Previous studies have relied on misleading primary sources that have left the campaign—and the Union’s larger victory—misunderstood. Moreover, the former battlegrounds near Fredericksburg have been altered by new roads and neighborhoods, further complicating study.

For more than a century, historians have disparaged the men who joined the Union army in the later days of the Civil War—when higher bounty payments and the conditional draft were in effect—as unpatriotic mercenaries who made poor soldiers and contributed little to the Union victory. However, as Edwin P. Rutan II explains, historians have relied on the accounts of 1861 and 1862 veterans who resented these new recruits who had not yet suffered the hardships of war, and they were jealous of the higher bounties those recruits received. The result, he argues, is a long-standing mischaracterization of the service of 750,000 Union soldiers.

Holding the Political Center in Illinois charts the political trajectory of Illinois from the introduction of the Kansas-Nebraska Act in 1854 through the firing on Fort Sumter in 1861. Throughout, Ian T. Iverson focuses on political moderation in this era of partisan extremes, one in which the very label of “conservative” was contested. Most often framed through the biography of Abraham Lincoln, the turbulence of antebellum-era and political realignment in Illinois has been widely misunderstood, yet the Prairie State’s geographic, economic, and demographic diversity makes it an especially fascinating microcosm through which to examine the politics of self-identified conservatives leading up to the Civil War.

Opium and Ambergris is the haunting debut collection by poet Colin Dekeersgieter, whose lyric poems scrutinize a family’s history with addiction, death, and mental illness.

Reeling from the loss of his brother to a heroin overdose, Dekeersgieter grieves while doing his best to keep his suicidal mother alive and raise his family. As a result, these poems shift between historical retellings and urgent examinations of love. In the title poem, “opium” is associated with death and “ambergris”—a substance formed in sperm whales’ digestive tracts and valued by many cultures for over one thousand years—is associated with love. As family history, death, trauma, and duty become entwined with the acts of living, suffering, growing, and writing, these metaphorical categories become essentially interchangeable. Opium comes from the beautiful poppy; ambergris is an ingredient still used in high-end perfumes to help the fragrance last longer, yet it is extracted from dead whales. Thus, “opium” and “ambergris” come to represent the possible coexistence of love and loss.

In early 1900s Indiana, John Terrell was the wealthiest man in Wells County, thanks to oil discovered on his farm. But when his youngest daughter, Lucy, became pregnant and entered into a forced marriage to abusive Melvin Wolfe, Terrell’s life and fortune unraveled in a tumultuous spiral of murder, a dramatic trial, and a descent into madness.

Tabernacles in the Wilderness discusses the work of the United States Christian Commission (USCC), a civilian relief agency established by northern evangelical Protestants to minister to Union troops during the American Civil War. USCC workers saw in the Civil War not only a wrathful judgment from God for the sins of the nation but an unparalleled opportunity to save the souls of US citizens and perfect the nation. Thus, the workers set about proselytizing and distributing material aid to Union soldiers with undaunted and righteous zeal.

Published in 1940, Ernest Hemingway’s For Whom the Bell Tolls is widely considered a masterpiece of war literature. A bestseller upon its release, the novel has long been both admired and ridiculed for its depiction of Robert Jordan’s military heroism and wartime romance. Yet its validation of seemingly conflicting narratives and its rendering of the intricate world its characters inhabit, as well as its dense historical, literary, and biographical allusions, have made it a work that remains a focus of interest and study.