Published in 1940, Ernest Hemingway’s For Whom the Bell Tolls is widely considered a masterpiece of war literature. A bestseller upon its release, the novel has long been both admired and ridiculed for its depiction of Robert Jordan’s military heroism and wartime romance. Yet its validation of seemingly conflicting narratives and its rendering of the intricate world its characters inhabit, as well as its dense historical, literary, and biographical allusions, have made it a work that remains a focus of interest and study.

A central figure in Reconstruction-era politics, Adelbert Ames and his contributions during a significant and uncertain time in American history are the focus of Michael J. Megelsh’s fascinating study. As Megelsh discusses, Ames’s life took many compelling turns. Born on Maine’s rocky shore in 1835, he served as a Union general during the American Civil War and was heralded as one of the young stars whose leadership was integral in helping the Union to victory. He briefly remained in the army after the conflict, stationed in Mississippi, where he entered the political arena.

In this brisk, engaging exploration of 19th-century radical reformer and abolitionist Wendell Phillips, Peter Charles Hoffer makes the case that Phillips deserves credit as the nation’s first public interest lawyer, someone who led the antebellum crusade against slavery and championed First Amendment rights and equality for all Americans, including Black people and women.

Steven L Herman, chief national correspondent for the nonpartisan, government-funded Voice of America (VOA), weaves together memoir and history to pull back the curtain on the inner workings of the White House press corps, giving readers a rare glimpse into the historic and current relationship between the president and the press.

In Reading Hemingway’s The Garden of Eden, Carl P. Eby examines Hemingway’s original unrevised manuscript in relation to Scribner’s highly edited edition. The product of 30 years of research, this volume is the first to clarify for readers which parts of the original work had been retained, altered, and discarded in the publisher’s text. No other treatment of the text has been so thorough in its analysis and annotations. This volume gives the Scribner’s edition and the original manuscript equal consideration, helping readers to better understand the relationship between both versions of the novel.

In early 1864, many heavy artillery regiments in the Civil War were garrisoning the Washington defenses, including the Fifteenth New York. At the same time, newly minted Union general in chief Ulysses S. Grant sought to replenish the ranks of the Army of the Potomac, and the Fifteenth became one of the first outfits dispatched to Major General George Meade at Brandy Station.

Drawing on a wealth of previously unmined primary sources, Edward A. Altemos pays tribute to the Fifteenth, other heavy artillery regiments, and the thousands of immigrants who contributed to the Union army’s victory.

More than 175 years after his death, Senator Thomas Morris has remained one of the few early national champions of political and constitutional antislavery without a biography devoted to him. In this first expansive study of Morris’s life and contributions, David C. Crago persuasively argues that historians have wrongly marginalized Morris’s role in the early antislavery movement.

Before his election to the state’s executive office in 1861, David Tod was widely regarded as Ohio’s most popular Democrat. Tod rose to prominence in the old Western Reserve, rejecting the political influence of his well-known father, a former associate justice of Ohio’s Supreme Court, a previous member of the Federalist Party, and a new, devoted Whig. As a fierce Democratic Party lion, the younger Tod thrilled followers with his fearless political attacks on Whig adversaries and was considered an unlikely figure in the battle to keep the Union intact.

Fraternal Light: On Painting While Black is a lyric evocation of the life and work of the great African American artist Beauford Delaney. These poems pay homage to Delaney’s resilience and ingenuity in the face of profound adversity. Although his work never garnered the acclaim it deserves—but is finally receiving—Delaney was well known and highly respected in African American cultural circles, among bohemian writers and artists based in Greenwich Village from the 1930s to the early 1950s, and in Parisian avant-garde and expatriate enclaves from the mid-1950s to the mid-1970s.

In this remarkable work of close reading and analysis, Thomas P. Hillman gets to the heart of the tension between pity and the desire for power in J. R. R. Tolkien’s The Lord of the Rings. As the book traces the entangled story of the One Ring and its effects, we come to understand Tolkien’s central paradox: while pity is necessary for destroying the Ring, it cannot save the Ring-bearer from the Ring’s lies and corruption.