Though Ernest Hemingway distrusted Hollywood and often found himself in conflict with directors and producers, he frequented theaters and freely acknowledged the art and potential that cinema contained. In turn, the film industry’s interest in his stories has endured for nearly a century. Focusing on the relationship between written and cinematic work, Hemingway and Film brings together diverse literary and film studies scholars to both deepen understanding of Hemingway’s fiction and film adaptations and to provide practical guidance for approaching these topics in the classroom.

To demonstrate how a Union force overpowered Confederate troops in and around Fredericksburg, Erik F. Nelson emphasizes the role of terrain. Previous studies have relied on misleading primary sources that have left the campaign—and the Union’s larger victory—misunderstood. Moreover, the former battlegrounds near Fredericksburg have been altered by new roads and neighborhoods, further complicating study.

Opium and Ambergris is the haunting debut collection by poet Colin Dekeersgieter, whose lyric poems scrutinize a family’s history with addiction, death, and mental illness.

Reeling from the loss of his brother to a heroin overdose, Dekeersgieter grieves while doing his best to keep his suicidal mother alive and raise his family. As a result, these poems shift between historical retellings and urgent examinations of love. In the title poem, “opium” is associated with death and “ambergris”—a substance formed in sperm whales’ digestive tracts and valued by many cultures for over one thousand years—is associated with love. As family history, death, trauma, and duty become entwined with the acts of living, suffering, growing, and writing, these metaphorical categories become essentially interchangeable. Opium comes from the beautiful poppy; ambergris is an ingredient still used in high-end perfumes to help the fragrance last longer, yet it is extracted from dead whales. Thus, “opium” and “ambergris” come to represent the possible coexistence of love and loss.

In early 1900s Indiana, John Terrell was the wealthiest man in Wells County, thanks to oil discovered on his farm. But when his youngest daughter, Lucy, became pregnant and entered into a forced marriage to abusive Melvin Wolfe, Terrell’s life and fortune unraveled in a tumultuous spiral of murder, a dramatic trial, and a descent into madness.

From the time James was a high school sophomore, former Cleveland Plain Dealer sports columnist Bill Livingston covered every step of his journey from the teenager who flouted high school league rules to a basketball icon and activist, one who even founded a school in his hometown.

LeBron James has been a polarizing yet beloved figure for sports fans around the world, possibly nowhere more so than in northeast Ohio, where he grew up. He began his basketball career hailed as “the chosen one,” a beacon of hope for a Cleveland team that had never won an NBA championship. He was then denounced for “the Decision” to leave and pursue his trophy dreams with the Miami Heat. The prodigal son subsequently returned to the Cavaliers, fulfilling “the Promise” to bring ultimate victory to Cleveland in 2016.

An anthology celebrating the biodiversity and staggering beauty of Cuyahoga Valley National Park, Light Enters the Grove collects 42 poems, each of which reflects its author’s unique connection to a living organism found within the park—ranging from white-tailed deer to brown bats and from Japanese honeysuckle to bloodroot. Additionally, each poem is paired with an artistic depiction of the poem’s subject that reinforces the rich relationship between artists and the natural world.

John Vacha is the first to write a comprehensive, in-depth account of Playhouse Square’s history, beginning with the Square’s 1921 opening and describing how the COVID-19 pandemic once again left its theaters temporarily empty before their triumphant reopenings in 2022. Richly illustrated and featuring interviews with the central figures involved in saving the Square, Playhouse Square and the Cleveland Renaissance is a powerful story that will appeal to theater history buffs and preservationists alike—reminding readers of the significant role the performing arts serve in shaping a city’s culture.

Tabernacles in the Wilderness discusses the work of the United States Christian Commission (USCC), a civilian relief agency established by northern evangelical Protestants to minister to Union troops during the American Civil War. USCC workers saw in the Civil War not only a wrathful judgment from God for the sins of the nation but an unparalleled opportunity to save the souls of US citizens and perfect the nation. Thus, the workers set about proselytizing and distributing material aid to Union soldiers with undaunted and righteous zeal.

Published in 1940, Ernest Hemingway’s For Whom the Bell Tolls is widely considered a masterpiece of war literature. A bestseller upon its release, the novel has long been both admired and ridiculed for its depiction of Robert Jordan’s military heroism and wartime romance. Yet its validation of seemingly conflicting narratives and its rendering of the intricate world its characters inhabit, as well as its dense historical, literary, and biographical allusions, have made it a work that remains a focus of interest and study.

A central figure in Reconstruction-era politics, Adelbert Ames and his contributions during a significant and uncertain time in American history are the focus of Michael J. Megelsh’s fascinating study. As Megelsh discusses, Ames’s life took many compelling turns. Born on Maine’s rocky shore in 1835, he served as a Union general during the American Civil War and was heralded as one of the young stars whose leadership was integral in helping the Union to victory. He briefly remained in the army after the conflict, stationed in Mississippi, where he entered the political arena.