Renaissance Fantasies is the first full-length study to explore why a number of early modern writers put their masculine literary authority at risk by writing from the perspective of femininity and effeminacy. Prendergast argues that fictions like Boccaccio’s Decameron, Etienne Pasquier’s Monophile, Philip Sidney’s Astrophil and Stella, and Shakespeare’s As You Like It promote an alternative to the dominate, patriarchal aesthetics by celebrating unruly female and effeminate male bodies.

Employing previously unexamined archival evidence, Kyvig calls attention to a little-known but broad-based bipartisan movement led by the Associated Against the Prohibition Amendment and the Women’s Organization for National Prohibition Reform. These organizations ad their allies amassed political power, particularly within the Democratic path. In the midst of the Great Depression they engineered a complicated, yet very democratic process of formal constitutional change, in the end achieving the only amendment reversal in U.S. constitutional history.

“Let us once again transform the American continent into a vast crucible of revolutionary ideas and efforts…” urged President John F. Kennedy on March 13, 1961. “Let us once again awaken our American revolution until it guides the struggle of people everywhere—not with an imperialism of force or fear, but the rule of courage and freedom and hope for the future of man.” Similar calls stirred Latin America. In Brazil, it came from left-wing politicians, intellectuals, labor leaders, and students. The revolution on April Fool’s Day, 1964 was not exactly the one the Brazilian Left had sought. Nor was the uncontested military coup the victory of courage and freedom and hope that Kennedy had called for.

Resplendent Faith is a richly illustrated compendium of the typical objects found within medieval church treasuries and includes a discussion of their form and function and their significance in the medieval religious service. Fliegel places this survey of the medieval liturgical treasury within its broad historical framework and considers the art representative of the most significant sacral objects produced during the Middle Ages. Supported by exquisite illustrations as well as a glossary and bibliography, Resplendent Faith will appeal to art historians, those interested in the history of religion and liturgical practices, and nonspecialists who appreciate medieval art or religious icons and reliquaries.

Resurrection of the Wild: Meditations on Ohio’s Natural Landscape wins the 2020 PEN/Diamonstein-Spielvogel Award for the Art of the Essay by this year’s judges—Jelani Cobb, Daniel Menaker, and Judith Thurman!

Each year in the United States, hundreds of religious buildings and schools become vacant or underutilized as congregations and populations merge, move, or diminish. These structures are often well located, attractive, eligible for tax credits, and available for redevelopment. In this practical and innovative handbook, authors Simons, DeWine, and Ledebur have compiled a step-by-step guide to finding sustainable new uses for vacant structures. The reuse of these important buildings offers those charged with revitalizing them an opportunity to capture their embodied energy, preserve local beloved landmarks, and boost sustainability. Rehabbing presents an opportunity for developers to recoup some value from these assets. Neighbors and other stakeholders also enjoy benefits as the historic structures are retained and the urban fabric of communities is preserved.

Samuel Shem’s The House of God is widely regarded as one of the most influential novels about medical education in the twentieth century. Decades after being published, this satire still raises issues of how interns and residents are trained and how patients experience their treatment. Return to The House of God is a scholarly and creative response to the best-selling novel, exploring its impact on medical education, residency training, and the field of literature and medicine.

Revelations captures the spirit of the African American worship experience through arresting images of congregants’ facial expressions and body language, their colorful uniforms and dress, and the solemnity of their worship. The images of baptisms, weddings, funerals, Sunday services, and special celebrations are at once serene and exaltant, pensive and inspirational. Revelations honors not only the spiritual dimension of the African American church but the pride and dignity that prevails within the churchgoing family.

While numerous studies on C. S. Lewis’s literary achievements have been published in the past several years, The Rhetoric of Certitude brings much-needed attention to Lewis’s nonfiction prose, identifying his unique style and explaining why his writing has remained popular while that of so many of his contemporaries has not. In this thorough examination of Lewis’s religious essays and literary criticism, author Gary L. Tandy argues that Lewis’s style evolved from a “purposeful rhetorical stance” that unites his nonfiction prose, a style that was informed by his ideas on language, communication, and style, as well as his view of Christianity, and can be most accurately described as a rhetoric of certitude.

In this fresh examination of seventeenth-, eighteenth-, and nineteenth-century American captivity narratives, author Lorrayne Carroll argues that male editors and composers impersonated the women presumed to be authors of these documents. This “gender impersonation” significantly shaped the authorial voice and complicated the use of these texts as examples of historical writing and as women’s literature. Carroll contends that gender impersonation was pervasive and that not enough critical attention has been paid to male intervention in female accounts. Rhetorical Drag examines the familiar territory of captivity narratives, including versions of Hannah Duston’s captivity, and widens it by analyzing numerous examples, placing each in a deeply historicized context.