Bodies and Barriers offers a collection of dramatic pieces of our time that provide an aesthetic perspective from which we view today’s vital health issues. With each play exploring a different medical crisis, the collection covers a range of issues common to a diverse population, irrespective of gender or race. Included are works examining how individuals confront the challenges posed by physical disability, aging, and terminal illness. These plays take as their subject the human form and its pathologies while providing a humanistic perspective from which to view men and women as they come to terms with a loss of physical and emotional well-being.

In what became The Garden of Eden, Hemingway’s character David Bourne identifies his writing process as the creation of a new, forbidden country, asking himself the questions that drove Hemingway’s own writing, “So where do you go? I don’t know. And what will you find? I don’t know. The bones of the others I suppose.” Justice’s investigations into Hemingway’s creative method illuminate the map of Hemingway’s forbidden country, revealing his writing as a lifelong simultaneous expression of present and past. Justice locates the power of Hemingway’s fiction in this duality—in the paradoxical compulsions toward destruction and creation, lamentation and hope, and fear and love.

Kentucky and Tennessee share a unique and similar history, having joined the Union as the fifteenth and sixteenth states in 1792 and 1796, respectively. During the antebellum period, Kentuckians and Tennesseans enjoyed a common culture, pursued a largely agricultural way of life, and shared many values, particularly a deep-seated commitment to slavery. However, the people of these two sister states found themselves on opposing sides at the most critical time in American history, as Tennessee sided with the Southern states seceding from the Union, and Kentucky, after a brief period of neutrality, remained loyal to the Union. Each state assumed enormous importance to both the Union and the Confederacy, for whichever side controlled them commanded vast quantities of resources desperately needed by the South. Perhaps most important, control of this strategic region would determine where much of the fighting in the West would take place, either on northern soil or farther south. Both states felt the hard hand of war as the conflict visited them early and often, and Kentuckians and Tennesseans suffered the same hardships while war was waged within their borders.

Stanley Barton Hoss was a burglar, thief, and local thug from the Pittsburgh area. In eight short months in 1969, however, he became a rapist, prison escapee, murderer, and kidnapper; the subject of an intense nationwide manhunt; and one of the FBI’s Ten Most Wanted. In Born to Lose, author James G. Hollock traces Hoss from his earliest misdemeanors at the age of fourteen to a daring rooftop escape from the Allegheny Workhouse in Blawnox, Pennsylvania, where he was being held on a rape charge, to his killing of police officer Joseph Zanella in Oakmont, Pennsylvania, to the kidnapping near Cumberland, Maryland, and his ultimate murder of Linda Peugeot and her two-year-old daughter Lori in the autumn of 1969. Their bodies have never been found.

During the latter half of the twentieth century, the world witnessed the rise of the modern environmental movement. Chronicling this significant occurrence in Ohio, and specifically in Kent, a university town in the American Midwest, Botanical Essays from Kent is a collection of writings and photographs that capture the spirit and excitement of botanical fieldwork during the 1960s, ’70s, and ’80s. Kent Bog, dedicated as a state nature preserve in 1987, is the book’s focal point.

Although much has been written about the Old Northwest territory, The Boundaries between Us fills a void in this historical literature by examining lesser known forms of interaction between Euro-Americans and native peoples and their struggles to gain control of the region and its vast resources. Comprised of eleven original essays, The Boundaries between Us presents unique perspectives on the history and significance of the contest for control of the Old Northwest territory.

After decades of controversy surrounding the May 4 commemoration, the University moved in a new direction, choosing to use the 30th anniversary as an opportunity to recognize the past and embrace the future. A major component of this was the establishment of an annual scholarly symposium to focus on the great issues of American democracy. The Boundaries of Freedom of Expression and Order in American Democracy is the product of the first symposium, which explored the limits of freedom of expression in American society as they apply to business, education, media, law, politics, the Internet, and other venues.

Drawing heavily on primary-source material, The Boy General is the first full-length account of Francis Channing Barlow, one of the most successful combat officers in the Army of the Potomac during the Civil War. Although his clean-shaven, youthful appearance earned him the nickname “the Boy General,” his fighting capabilities resulted in frequent promotions and greater responsibilities. This book will be welcomed by Civil War historians and buffs alike.

This study reviews 1950s science fiction, Korean War fiction, and the film The Manchurian Candidate. Seed provides new interpret-ations of writers such as Orwell and Burroughs within the history of psychological manipulation for political purposes, using declassified and other documents to contextualize the material. He explores the shifting viewpoints of how brainwashing is represented, changing from an external threat to American values to an internal threat against individual American liberties by the U.S. government.

Jeanne Bryner is a registered nurse. Her poems and stories have appeared in several magazines and journals, including Annals of Internal Medicine, American Journal of Nursing, International Journal of Arts Medicine, The Sun, and in the anthology Intensive Care. She is also the author of Tenderly Lift Me: Nurses Honored, Celebrated, and Remembered (2004).