We Were The Ninth is a translation, carefully edited and thoroughly annotated, of an important Civil War regiment. The Ninth Ohio—composed of Ohio Germans mostly from Cincinnati—saw action at Rich Mountain and Carnifex Ferry in West Virginia, Shiloh, Corinth, Perryville, Hoover’s Gap, Nashville, Chattanooga, and Chickamauga.

Wearable prints are not only a decorative art form but also the product of a range of complex industrial processes and an eco- nomically important commodity. But when did textile printing originate, and how can we identify the fabrics, inks, dyes, and printing processes used on surviving historical examples?

In The Weary Boys, Pope refutes this undeserved derision. Under the command of Colonel J. Warren Keifer, a veteran of the Civil War’s Western Theater, the 110th proved their worth many times over. Only fifteen of the 175 volunteer regiments from Ohio that served in the Union Army suffered the loss of more than one hundred men. The 110th was on of these regiments.

Melville has long been regarded as an author of raw genius who knew, or cared, little about the art of the novel, and even harbored hostility toward its conventions. In The Weaver-God, He Weaves, Christopher Sten sets out to correct this widespread view, showing not only what Melville knew about the novelist’s craft but how he appropriated and transformed a whole series of distinct genres: Typee is presented in the context of the popular romance, with its paired themes of sex and violence; Omoo is viewed in the framework of early Spanish and later French examples of the picaresque novel; and Mardi is seen as an instance of the once widely popular genre of the imaginary voyage. Sten also reveals how Melville radically transformed certain existing genres—the epic novel in Moby-Dick and the historical novel in Israel Potter—or forged profound new directions for genres still in their early stages—the psychological novel in Pierre and the experimental novel in the Confidence-Man.

The Websters has the rare distinction of containing both sides of a correspondence between an “Old Army” officer and his socially prominent wife, one that reflects both their private lives and many of the public events of the times and that interweaves their responses to each other’s experiences.

Weeks in This Country is a collection of poems concerned with place. From Turkey to rural Bohemia to Cape Cod, Griffith uses the rich imagery of her travels to evoke both the exotic and the personal. These are poems of observation and poems of meditation. Ultimately, they speak of the longing for connection—among individuals, between cultures, and across history.

This seasoned newspaperman has been soaking up stray facts and vanishing information for more than five decades. Condon’s voracious appetite for facts and a nose for where to find them bring alive this Cleveland history, engaging the reader with his authentic stories, humorous anecdotes, and fond perspective. West of the Cuyahoga fills a gap in the history of Cleveland, Ohio, and reveals the gleanings of a lifetime for a local journalist and raconteur.

“Provides new information and fresh insights into a number of important and poorly understood aspects of West Virginia’s early constitutional, legal, and political history.”
—Brent Tarter, Library of Virginia

While men and women physicians face different challenges and bring different historical experiences to the examination table, the history of medicine has been primarily told by men. Doctors Kimberly Greene-Liebowitz and Dana Corriel compile the pieces in this collection to highlight the many topics of concern for women physicians––some of which may be unknown to medical field outsiders. Topics include the physician-patient relationship, mastery of clinical practice, barriers to career advancement and success, and the challenge of balancing a demanding professional life with domestic responsibilities, an issue brought to the fore by the COVID-19 pandemic.

Conventional medical narratives often fail to capture the incoherent, surreal, and logic-twisting reality of the contemporary healthcare experience, where mystery, absurdity, and even cruelty are disguised as logic, reason, and compassion. In this new collection of stories by physician and writer Jay Baruch, characters struggle in their quest for meaning and a more hopeful tomorrow in a strange landscape where motivations are complex and convoluted and what is considered good and just operates as a perpetually shifting proposition.