The third volume of The Salmon P. Chase Papers documents Chase’s career from early 1868—the beginning of his second terms as the governor of Ohio—through the pivotal election of 1860 and the first two years of his service as secretary of the Treasury in Abraham Lincoln’s wartime cabinet. Now for the first time there is ready access to a crucial record of the nation’s descent into civil war. The National Historical Publications and Records Commission provides financial support for the publication of The Salmon P. Chase Papers.

This volume covers the last fifteen months of Chase’s tenure as Treasury secretary and concludes with his nomination as Chief Justice of the United States. Of particular interest are letters that document Chase’s increasing alienation from the Lincoln administration and his unsuccessful bid for the presidential nomination of the Republican-Union party in 1864. The National Historical Publications and Records Commission, the NEH, and the Claremont Graduate School provide support for the edition.

Salmon P. Chase is usually remembered for his service as Treasury secretary during the Civil War. Earlier, he had attracted national attention as an antislavery attorney and politician and was twice elected U.S. senator from Ohio and served two terms as governor. For the final volume of this series, John Niven has chosen 215 significant letters that shed light on the last phase of Chase’s life, the eight and one half years that he presided over the United States Supreme Court as chief justice.

“A clear, seemingly effortless voice and a special curiosity animate the world Liz Tilton gives us in Salt. And it is a world, ranging from domestic life—loose change, gardening, the intricacies of love—to manatees and the governor of Texas. Discoveries abound. Salt is smart, subtle, and essential.”—Don Bogen

Mellville’s interest in the visual arts and the translation of that interest into his writings is at the center of this new interdisciplinary study of one of America’s most celebrated writers. Melville’s lifelong engagement with the visual arts has been noted in other works, but only Savage Eye suggest the extraordinary depth and range of the author’s multifaceted interest in the subject. Editor Christopher Sten has collected 13 essays from 12 specialists in the field to produce this groundbreaking study which connects Melville’s writings with topics relating to the arts of painting, printmaking, sculpture, architecture and landscape design, as well as art history.

Author Craig A. Warren explores seven popular novels about the Civil War—The Red Badge of Courage, Gone with the Wind, None Shall Look Back, The Judas Field, The Unvanquished, The Killer Angels, and Absalom, Absalom! His study reveals that the war owes much of its cultural power to a large but overlooked genre of writing: postwar memoirs, regimental histories, and other narratives authored by Union and Confederate veterans. Warren contends that literary scholars and historians took seriously the influence that veterans’ narratives had on the shape and character of Civil War fiction.

At the center of this evolution is the contention that Hemingway’s preoccupation with and scientific study of life in the Gulf Stream moved his theory and practice of writing away from the Paris art circle of the 1920s to the new realism of the 1950s. A Sea of Change explores the importance of Hemingway’s relationship to the waters of the Gulf Stream that transformed his imaginative work.

Notable Civil War historians herein continue the evaluation of select commanders begun in The First Day at Gettysburg: Essays on Confederate and Union Leadership. Using fresh manuscript sources coupled with a careful consideration of the existing literature, they explore issues such as Robert E. Lee’s decision to renew the tactical offensive on July 2; James Longstreet’s effectiveness in executing Lee’s plan; the origin and impact of Daniel E. Sickle’s decision to advance his Third Corps, which formed the infamous “Sickle’s Salient”; the little-understood role of Henry W Slocum and his Union Twelfth Corps; and the contribution of John C. Caldwell’s division in the maelstrom of the Wheatfield.

“The publication of The Secret Turning of the Earth announces the arrival of an American poet who moves through space and time—the Venice of 1740, Paris in 1900 , 1948 Boston, present day Columbus—exercising a singular vision. These strong, ambitious poems are mapped out by means of what Anthony Libby calls ‘the geometries of seeing’; they pay that fierce and unwavering attention we expect only from the boldest, most perceptive travelers.”—David Citino

Through interdisciplinary and comparative analysis, Seeing Drugs examines the contours of the burgeoning drug war, the cultural significance of drugs and addiction, and their links to the formation of national identity within the United States, Thailand, Burma, and Mexico. By highlighting the prevalence of modernization and counterinsurgency discourse within drug-control policy, Weimer reveals an unexplored and important facet of the history of U.S–Third World interaction.