In early 1900s Indiana, John Terrell was the wealthiest man in Wells County, thanks to oil discovered on his farm. But when his youngest daughter, Lucy, became pregnant and entered into a forced marriage to abusive Melvin Wolfe, Terrell’s life and fortune unraveled in a tumultuous spiral of murder, a dramatic trial, and a descent into madness.
John A. McClernand was a leading Democratic congressman from Illinois who in 1861 became a brigadier general in the Union army. Although a “political general,” he proved himself on the battlefield until he ran afoul of Ulysses S. Grant and was relieved of his command of the Thirteenth Corps in 1863 during the Vicksburg campaign. Richard Kiper presents a balanced and sympathetic assessment of this highly controversial individual who served his country as soldier and statesman and sheds new light on the Union command system, providing insight into the politics of war as well as the personalities and relationships among the army’s senior officers.
“The Civil War was a crucial experience in shaping the character and political life of William McKinley. In this engrossing and well-researched study, William H. Armstrong provides the most thorough treatment of McKinley’s military career and shows how his wartime record influenced his emergence as the first modern president. Armstrong is balanced and fair-minded, and his work should become the definitive account of the Civil War years of an important figure of the Gilded Age.” —Lewis L. Gould, author of The Presidency of William McKinley
Anneliese Abbott tells the story of Malabar Farm within the context of the wider histories of soil conservation and other environmental movements, especially the Ohio-based organization Friends of the Land. As one of the few surviving landmarks of this movement, which became an Ohio state park in 1976, Malabar Farm provides an intriguing case study of how soil conservation began, how it was marginalized during the 1950s, and how it now continues to influence the modern idea of sustainable agriculture.
A Man of Distinction among Them represents an important step in under standing the complexities surrounding the early history of the Ohio Country and the Old Northwest and provides the clearest and most comprehensive portrait of a central figure in that history: Alexander McKee. Fathered by a white trader and raised partly by his Shawnee mother, McKee was at home in either culture and played an active role in Great Lakes Indian affairs for nearly 50 years.
On July 3, 1915, John Pierpont Morgan Jr., one of the most famous names in finance, was entertaining guests at his Long Island estate when the doorbell rang. An armed man forced his way inside.
The Man Who Shot J. P. Morgan is a riveting tale of false identities, radical political beliefs, and ambitious criminal schemes set during the tumultuous time shortly before the United States entered World War I.
The Many Names for Mother is an exploration of intergenerational motherhood; its poems reach toward the future even as they reflect on the past. This evocative collection hovers around history, trauma, and absence—from ancestral histories of anti-Semitic discrimination in the former Soviet Union to the poet’s travels, while pregnant with her son, to death camp sites in Poland. As a descendant of Holocaust survivors, Dasbach ponders how the weight of her Jewish-refugee immigrant experience comes to influence her raising of a first-generation, bilingual, and multiethnic American child.
A study of myth suggests that the stories we human beings tell ourselves about who we are make us who we are. Amber Lehning extends such discussion into the ecocritical realm, arguing that the stories we tell ourselves about our relationship to the natural world are at least as powerful as science or government policy as drivers of our behavior toward our planet. The destructive modern myths underlying today’s environmental crises create a kind of intellectual separation between humanity and its environment that can end up justifying the worst of environmental excesses—and perhaps, she argues, the only way to counter these negative humans-versus-nature stories is to shift some of the deep belief they command into new, positive, restorative stories.
The text of David Hassler’s play is based on the Kent State Shootings Oral History Project, begun in 1990 by Sandra Halem and housed in Kent State University Libraries’ Department of Special Collections and Archives. The collection is comprised of over 110 interviews, with first-person narratives and personal reactions to the events of May 4, 1970, from the viewpoints of members of the Kent community; Kent State faculty, students, alumni, staff, and administrators who were on campus that day; and National Guardsmen, police, hospital personnel, and others whose lives were affected by their experience. Weaving these voices and stories together anonymously, Hassler’s play tells the human story of May 4th and its aftermath, capturing the sense of trauma, confusion, and fear felt by all people regardless of where they stood that day.
On October 12, 2012, the play, May 4th Voices, was featured at the annual Oral History Association Conference in Cleveland, Ohio. Over the next month, film director Mathias Peralta and stage director Katherine Burke worked with the cast to create a film version of the production to accompany A Teacher’s Resource Book for May 4th Voices. The film received its debut at the Modern Language Association annual meeting in Boston on January 5, 2013 and will receive its broadcast debut on Western Reserve Public Media on PBS channels 45 and 49 and made available for national distribution in late spring 2013.
